The Terrace

The block bounded by West Chapel Hill Street, Willard Street, Duke Street, and Jackson Street was the location of two different houses of Benjamin N. Duke, brother of James B. Duke and Brodie L. Duke. In the 1880s, he constructed 'The Terrace' on this block - a large frame Queen Anne Victorian structure with a tower, as was popular on many contemporaneous structures.

Looking east down West Chapel Hill St. ~1910.
(Courtesy Duke Archives)

Looking east-southeast down West Chapel Hill St. ~1910.
(Courtesy Durham County Library)

From "Durham: A Pictorial History" by J. Kostyu

In 1911 , this structure was moved across West Chapel Hill Street (to the north side of the street, at 404 West Chapel Hill Street) to make way for the construction of 'Four Acres.'

(Courtesy Durham County Library)

'Four Acres' was a large, Chateauesque Revival structure designed by Charlotte architect C.C. Hook and constructed of granite and brick. It bore a strong resemblance to another structure in Durham - actually still standing - also built by C.C. Hook at approximately the same time - Greystone, built for James Stagg (who worked with BN Duke), is not as large of a structure, but is very similar in style.

(Courtesy State Archives)

(Courtesy UNC)

The back door.
(Courtesy Durham County Library)

The grounds.
(Courtesy Durham County Library)

Radiator

Hallway

(Courtesy Durham County Library)

After B.N. Duke and his wife died in the late 1920s-1930s, the house passed to Duke University, who used the house as a guesthouse and reception area for 30 years.

The Terrace, then at 404 West Chapel Hill Street, became the residence of the NE Green family.

Looking northwest from near the intersection of West Chapel Hill St. and Pettigrew, 1910s-1920s.
(Courtesy Duke Archives)

The Terrace is visible on the north side of the street, center of the photo.

It survived until 1939 when, having failed to secure tenants for the property for several years, the owners decided to raze it. It was replaced by Flintom's Esso Station.

 

In 1960, the University decided to sell the Four Acres propertyand building, and it was demolished soon thereafter for the construction of North Carolina Mutual's new office building.

The front entrance in winter, not long before the house was torn down.
(Courtesy Duke Archives)

The demolition of Four Acres.
(Courtesy Herald-Sun)

Demolition.
(Courtesy Herald-Sun)

Interestingly, urban renewal took the outside edge of the property, including the fence. This appraisal photo from 1963 shows the property from the front of Duke Memorial Methodist looking southeast at the intersection of S. Duke and W. Chapel Hill Sts.

(Courtesy Durham County Library)

The North Carolina Mutual company began construction of their modern office building in 1964, as they had outgrown their historic headquarters on W. Parrish St.

Groundbreaking, with sign atop the Four Acres fence, 1964
(North Carolina Mutual Archives)

They hired architects Welton Becket Associates of Los Angeles, who had already completed multiple iconic modernist structures throughout the country - in part because of their racially-equitable hiring practices. Welton Becket worked with NC architect Marion Ham; Ham had previously worked with Edmund J. Austin in Southern Pines.

Elevator tower completed, 01.08.64
(Courtesy Herald-Sun)

(Courtesy Durham County Library)

N.C. Mutual building under construction, 1964 - looking northwest from Willard and Jackson Sts. The iron fence that surrounded Four Acres hasn't been taken down yet.

The completed building, looking northwest from near Willard and Jackson, 1966.
(Courtesy Herald-Sun)

Looking northeast from Vickers and Yancey, late 1960s. The Washington Duke Hotel can be seen to the right.
(Courtesy Herald-Sun)

Aerial view from above West Chapel Hill St., 1960s.
(Courtesy Chris Graham)

The building was completed to much acclaim; it was named one of Forbes' ten outstanding buildings of 1966 and one of Fortune’s top ten buildings of the decade.

However, sometimes bold design is a bit too bold for the harsh nature of reality - i.e. gravity. If you look at older pictures of the building, you'll notice that there was no corner bracing in the original design. Each floor was designed to be cantilevered from the center so that the corners could be glass. It seems that Welton Becket and Mr. Ham made a boo-boo, though, and the floors sagged. The corners had to be retro-fitted with structural concrete to hold up the floors, all the way down to the unfortunate addition of corners supporting the first floor.

NC Mutual Building, 2006.

11.07.09

What was a special modernist structure became fairly pedestrian after the loss of the cantilevered floors. It's not a bad structure, design-wise, but the heaviness of the concrete was previously mitigated by the fact that the floors 'floated.' Now it just looks more like a stolid lattice. The site plan is weak - creating a lot of dead space around the building that, while not overtly pedestrian-hostile, isn't exactly inviting.

What I can't get past is the demolition of Four Acres in order to build it. I'm not sure if the site had a certain symbolism, but the loss of the grand Ben Duke house was a deep wound for Durham - imagine if it were a Durham history museum today, or simply a tourist attraction.